
When it comes to Luc Besson films one can expect two things: shootouts and explosions. Although Besson is known for his action films I find that the action comes second to his narrative. In "Léon", a lonely assassin takes care of a young girl after her parents are killed by Gary Oldman's crooked cop, Stansfield. The greatest thing about "Léon" is the relationship between himself and the young Mathilda. Besson plays with a Lolita like romance between the two, yet their friendship never goes there. While I can not say enough about "Léon," Besson's romantic fantasy "Angel-a" is my main focus today.
After a string of action films Besson made his comeback with "Angel-a," a black and white film about an in-debt gambler and a tall, sexy stranger. Again, Besson creates two odd characters who reluctantly partner up and fall for each other. The only other thing I find seductive other than the leggy Angela is Paris, captured in black and white. While Americans are used to seeing the Eiffel Tower and other popular French monuments, I feel as though Besson and his cinematographer truly captured Paris in a new fascinating light.
Although the relationship between Angela and Andre leaves something to be desired, I find this French romance stands out far beyond its American counterparts. Check out the trailer. Netflix it. Do what you gotta do to see it.

